LexJet at Printing United
Two LED rings rigged back to back, four flown walls, a floating LED sphere and an LED counter, all on one synchronized 360° canvas.
Read the case study Top LED Lumination LED walls, displays, touchscreens, AV and crew. Las Vegas and Orlando. www.tllrentals.com · events@tllrentals.com · 1 (844) 283-1510
Capabilities
We own the gear. We crew the show.
Top LED Lumination rents LED walls, displays, touchscreens and AV for trade shows and corporate events. Our own gear, run by our own crew, out of Las Vegas and Orlando.
Serving trade shows since 2015, with thousands of successful events.
What we cover
What do you cover?
The screens, the sound, the light and the crew for a booth or a stage. We own it, ship it and run it, so one team handles the whole build.
Specialty LED
Spheres, posters, tunnels, floors, mesh, counters and podiums, plus shapes built to your design.
Displays and touchscreens
TVs from 32 to 100 in, LCD video walls, PCAP touchscreens, kiosks and touch overlays.
Interactive experiences
Touch walls, a touch sphere, AI selfie mosaics and selfie walls.
Video processing
The processors, switchers and playback machines that feed the screens.
Structures
Truss, rigging, furniture and the frames the screens mount to.
Crew
Techs who build, run and strike the show. Or your crew installs with our setup docs.
LED tiles
Which LED tile pitch do I need?
Pick the pitch by how close people stand. A finer pitch stays sharp up close. A larger pitch costs less and looks clean from across the room. The P number is the space between LEDs in millimeters.
| Pitch | Cabinet | Pixels per cabinet | Type | Comfortable from | Best for |
|---|---|---|---|---|---|
| P1.5 | 500 × 500 mm 19.7 × 19.7 in | 320 × 320 | Indoor, GOB, Curve, Flat | ~8 ft ~2.5 m | Selfie walls, close-up interactive and tight camera shots. |
| P1.9 | 500 × 500 mm 19.7 × 19.7 in | 256 × 256 | Indoor, GOB, Curve, Flat, Flexible, 90° corner | ~11 ft ~3.5 m | Curved close-up walls, columns and wraps, down to a 5 ft curve diameter. |
| P2.3 | 496 × 496 mm 19.5 × 19.5 in | 208 × 208 | Indoor, Flat, Flexible | ~13 ft ~4 m | Curved booth and stage walls seen from normal room distance. |
| P2.6 | 500 × 500 mm 19.7 × 19.7 in | 192 × 192 | Indoor, GOB, Curve, Flat, 90° corner | ~15 ft ~4.5 m | Our default for keynote stages and most booth walls. |
| P2.8 | 500 × 500 mm 19.7 × 19.7 in | 176 × 176 | Indoor, Curve, Flat | ~16 ft ~5 m | Booth and stage walls at show-floor distance. |
| P2.9 | 600 × 400 mm 23.6 × 15.7 in | 204 × 136 | Indoor, Flat | ~16 ft ~5 m | Larger walls the audience sees from further back. |
| P3.9 | 500 × 500 mm 19.7 × 19.7 in | 128 × 128 | Indoor, Curve, Flat | ~22 ft ~6.5 m | Hanging signs, overhead banners and big walls seen across the room. |
| P4.8 | 500 × 500 mm 19.7 × 19.7 in | 104 × 104 | Outdoor, Walkable floor | ~27 ft ~8 m | Bright outdoor walls, and the walkable LED floor. |
| P3.9 × 7.8 | 1000 × 500 mm 39.4 × 19.7 in | 256 × 64 | Indoor, Transparent mesh | ~25 ft+ ~7.5 m+ | See-through walls, window mounts and scenic. |
GOB means the LED face is sealed under a protective coat, which suits walls people stand close to or touch.
"Comfortable from" is a guide, not a limit. Plenty of clients view much closer, because event content is video and big graphics.
Specialty LED
What specialty LED do you have?
LED spheres, posters, counters and podiums, plus tunnels and walkable floors built from our tiles. These are the pieces people walk over to see.
| Piece | Pitch | Size | Details |
|---|---|---|---|
| LED sphere | P1.8 | 5 ft (1.5 m) diameter | 2,496 × 1,194 px. Plays all the way around. Floor pedestal or hoist. |
| LED sphere | P2.0 | 6.5 ft (2.0 m) diameter | 2,688 × 1,298 px. Plays all the way around. Floor pedestal or hoist. |
| LED poster | P2.5 | 22 × 75 in screen | 224 × 756 px. Freestanding with a weighted base. Several can run as one picture. |
| LED poster | P1.8 | Ask us | Freestanding, black finish. Finer pitch for close viewing. |
| LED counter | P1.8 | 42 in or 66 in long (42 × 23 × 43 in, 66 × 23 × 43 in) | LED wraps the front and corners. Onboard player or HDMI. Lockable storage on the 66 in. |
| LED podium | P1.8 | 21 × 18 × 45 in | Curved LED front, 172 × 516 px. Plug and play. |
| LED tunnel | P1.5 | Built to your space | A walk-through tunnel built from our fine-pitch tiles. |
| LED floor | P4.8 | Built to your space, 500 × 500 mm tiles | Walkable LED floor with protective covers. |
Displays
What TVs and video walls do you have?
Flat-panel TVs from 32 to 100 in, from Samsung, TCL, VIZIO, Hisense and Philips. For a bigger picture, our 46 in LCD panels build into video walls.
| Size | Brands | Resolution |
|---|---|---|
| 32 in | Samsung, TCL, VIZIO | Ask us |
| 40 in | Samsung, VIZIO | Ask us |
| 43 in | Samsung, TCL | 4K |
| 50 in | Samsung | 4K |
| 55 in | Samsung, TCL | 4K |
| 60 in | Samsung, Philips | 4K |
| 65 in | Samsung, TCL, VIZIO | 4K and 8K |
| 70 in | Samsung | 4K |
| 75 in | Samsung, TCL | 4K |
| 82 in | Samsung | 4K |
| 85 in | Samsung, TCL | 4K |
| 98 in | Samsung, TCL | 4K |
| 100 in | Hisense | 4K |
Floor stands, tabletop stands and wall mounts to match.
TVs and monitors
| Grid | Size | Resolution |
|---|---|---|
| 2 x 2 | 85 x 48 in7.1 x 4.0 ft | 3840 x 2160True 4K |
| 3 x 2 | 128 x 48 in10.7 x 4.0 ft | 5760 x 2160 |
| 4 x 2 | 171 x 48 in14.2 x 4.0 ft | 7680 x 2160 |
| 3 x 3 | 128 x 72 in10.7 x 6.0 ft | 5760 x 3240 |
| 5 x 2 | 213 x 48 in17.8 x 4.0 ft | 9600 x 2160 |
| 6 x 2 | 256 x 48 in21.3 x 4.0 ft | 11520 x 2160 |
1920 × 1080 per panel. 3.5 mm bezel per panel, about 7 mm where two meet. Built into video-wall grids; a 2 x 2 is true 4K.
LCD video walls Touchscreens
What touchscreens do you have?
PCAP touchscreens in 43, 55 and 65 in, with the same multi-touch feel as a phone. We also carry kiosks, touch overlays that turn a TV into a touchscreen, and the Giga-Tab.
| Screen | Size | Touch | Resolution | Hookup | Details |
|---|---|---|---|---|---|
| PCAP touchscreen | 43 in | Projected capacitive (PCAP), multi-touch | 1080p or 4K | HDMI in, USB touch · Optional built-in PC | IPS panel, carry handle built in. 39 lb (4K) to 53 lb (1080p). |
| PCAP touchscreen | 55 in | Projected capacitive (PCAP), multi-touch | 1080p or 4K | HDMI in, USB touch · Optional built-in PC | IPS panel, carry handle built in. 77 lb. |
| PCAP touchscreen | 65 in | Projected capacitive (PCAP), multi-touch | 4K | HDMI in, USB touch · Optional built-in PC | IPS panel, carry handle built in. 59.4 × 34.8 in, just over 3 in deep, 102 lb. |
| PCAP kiosk | 43 in or 55 in | Projected capacitive (PCAP), multi-touch | 1080p or 4K | Built-in player, or your source over HDMI · Optional PC | Portrait, floor-standing. Also built from our loose touchscreens on a kiosk stand. |
| Touch overlay | 32, 43, 50, 55, 65, 75, 82 and 85 in | Touch overlay frame | Matches the display | Ask us | Fits over a TV or monitor and adds touch. Comes off clean. A 4 × 2.5 m overlay makes an LED wall touch-ready. |
| Giga-Tab | 43 in or 55 in | Touch directly on the large screen | Ask us | Ask us | A giant touchscreen that runs your iOS apps. |
Floor stand or wall mount, VESA 400 × 400 brackets.
Lighting
What lighting do you have?
Moving heads, washes, pars, spots and effects, plus the consoles that run them. A fixture name that links opens its full spec page.
| Item | Brand | Key spec |
|---|---|---|
| Consoles and control | ||
| Tiger Touch II and Quartz style consoles | TLL in-house | Full-size and compact touchscreen desks; DMX outputs and Art-Net |
| Compact console and USB interface | ChamSys MagicQ MQ50, MagicDMX | 6 universes with 4 DMX outputs; USB to DMX for a laptop |
| Small consoles for smaller projects | TLL in-house | 12 to 192 channels; the larger ones store scenes and chases |
| Wireless DMX | City Theatrical Multiverse SHoW Baby | Wireless DMX transceivers; each one sends or receives a full universe on 2.4 GHz |
| DMX splitters | TLL in-house | 1 in, 8 out signal amplifiers |
| Moving heads | ||
| Beam / Spot / Wash Moving Head, 371W | TLL in-house | Beam, spot and wash in one; 371 W lamp |
| Beam / Spot / Wash Moving Head, 600W | TLL in-house | Beam 0 to 2.2°, spot 1.6 to 15°, wash 4 to 21° |
| Profile Moving Head with Framing, 35,000+ lm | TLL in-house | Beam, logo, wash and framing shutters; zoom 8 to 50° |
| Wash Moving Head, 800W | TLL in-house | 19 × 40 W RGBW LEDs; 2500 to 8000 K |
| Wash Moving Head, 710W | TLL in-house | Zoom 4 to 60°; DMX and Art-Net |
| Wash Moving Head, 300W | TLL in-house | 300 W wash |
| Washes, pars and uplights | ||
| LED Wash / Par with Zoom, 190W | TLL in-house | 190 W; 2700 to 8000 K; electronic zoom |
| Outdoor LED Par, 12 x 12W | TLL in-house | 12 × 12 W RGBWA+UV; 25 or 40° beam; IP65 |
| LED uplights and wash bars | TLL in-house | 36 W RGB uplights; 120 W bars, RGB plus warm and cool white; 15 W mini COB pars |
| Spots and follow spots | ||
| LED Profile Spot, 200W COB | TLL in-house | 200 W COB; 26° fixed; 5600 K; CRI 90+ |
| LED Fresnel Spot, 380W | TLL in-house | 5600 K; zoom 15 to 60°; barn doors |
| Manual Follow Spot, 80 m Throw | TLL in-house | 350 W; 10 to 15° beam; throws up to 80 m |
| Effects | ||
| LED Strobe, 1250W | TLL in-house | 10 strobe sections plus 40 backlight sections; DMX, Art-Net, sACN |
| Outdoor Logo / Gobo Projector, 16,500 lm | TLL in-house | Projects a logo or pattern; 160 W LED; IP67 |
| LED strip | ||
| Addressable LED pixel strip | TLL in-house | Addressable LEDs, controlled pixel by pixel over Art-Net, in 5 m reels |
| Pixel-mapping controllers | Advatek PixLite A4-S Mk3, E16-S Mk3 | 4 and 16 outputs for pixel strip, up to 24 or 96 universes |
"TLL in-house" is our own stock, listed without a maker name.
Stage lightingAudio
What audio gear do you have?
Digital and analog consoles, speakers from 4 to 15 in, a line array with subs, wireless and wired mics, and crew comms.
| Item | Brand | Key spec |
|---|---|---|
| Consoles and recording | ||
| Digital consoles | Behringer X32, X32 Compact, X32 Rack; Midas M32R | 40 input channels with 16 or 32 mic preamps; the rack version runs from a tablet |
| Touchscreen digital console | Yamaha DM3 Standard | 22 mixing channels, 16 mic and line inputs, 9 in touchscreen |
| Analog mixers | Yamaha MG06X, MG10XUF, MG12XU; Mackie ProFX10v3 | 6 to 12 inputs with built-in effects; USB audio on the 10 and 12 input models |
| Podcast and recording | RØDE RØDECaster Pro II; Zoom R20 | 4-mic podcast console with multitrack USB recording; 16-track recorder |
| Speakers and monitors | ||
| Compact speakers | Meyer Sound UPM-1P, MM-4XP | Self-powered dual 5 in; 4 in miniatures in black or white |
| 8 in powered speaker | QSC CP8 | Two-way, 1000 W peak; doubles as a floor monitor |
| 10 in powered speakers | QSC K10.2; Electro-Voice ELX200-10P | Two-way; 2000 W peak, or 1200 W in white |
| 12 in powered speakers | QSC K12.2, CP12 | Two-way; 2000 W or 1000 W peak |
| 15 in coaxial speaker | TLL in-house | Full-range coaxial |
| Subwoofers | TLL in-house | 12 in at 1000 W and 18 in at 2400 W |
| Line array | TLL in-house | 10 in array boxes and dual 15 in array subs; flown or ground-stacked, with amp and processor racks |
| In-ear and studio monitors | Shure PSM300; KRK Rokit 5 | Wireless stereo in-ears; 5 in powered studio monitors |
| Ceiling and install speakers | JBL Professional CSS8018, CSS-1S/T, Control 1 Pro | 8 in ceiling speakers; compact two-way, 70 V, 100 V or 8 ohm |
| Microphones | ||
| Digital wireless handhelds | Shure QLX-D, ULX-D, SLX-D | SM58 heads; digital UHF; single and dual-channel receivers |
| Complete wireless mic kits | Shure QLX-D, ULX-D | Receiver, SM58 handheld, bodypack, lavalier and headset in one case, one mic live per receiver; dual-receiver kits too |
| Wireless lavaliers and headsets | Shure QLX-D and ULX-D bodypacks; Shure TwinPlex TH53 | Lavalier, dual-ear and omni headset mics |
| Wired mics | Shure SM7B, MX412D/C | Broadcast mic with boom arms; 12 in gooseneck podium mic |
| Antennas and RF | Shure UA874, UA844+SWB; RF Venue Distro4 | Active directional antennas; antenna and power distribution |
| Playback and DI | ||
| DI boxes | Radial Engineering ProAV1, ProAV2, USB-Pro, BT-Pro v2 | Mono, stereo, USB and Bluetooth into XLR |
| Interfaces and processing | Focusrite Scarlett 4i4; dbx AFS2; ART HeadAmp 6 | USB audio, 4 in and 4 out; 2-channel feedback suppressor; 6-way headphone amp |
| Headphones | Audio-Technica ATH-M50x, ATH-M20xBT; Shure SRH840A; Sony RF400 | Closed-back studio headphones; Bluetooth and RF wireless sets |
| Crew comms | ||
| Wireless crew intercom | Hollyland Solidcom M1 | DECT, full duplex; kits of 8 beltpacks with single-ear headsets |
| Wireless crew intercom | ikan Livecom 1000 | DECT, full duplex; a base station with 4 beltpacks and headsets |
| Two-way radios | Midland and TLL in-house | Walkie-talkies with earpieces |
"TLL in-house" is our own stock, listed without a maker name.
Audio and soundVideo switching and processing
What video switching and processing do you have?
The gear between your content and the screens: LED processors and senders, live switchers, converters, recorders and playback. We spec it with the screens, and our crew runs it.
| Item | Brand | Key spec |
|---|---|---|
| LED processing and control | ||
| Wide-wall LED processor | Magnimage LED-W4000 | One canvas up to 8192 px wide from 4 outputs; genlock |
| LED processor, 4 outputs | Magnimage LED-780H | Up to 8 inputs; 4 outputs into one wall, up to 8 million pixels |
| LED scalers | TLL in-house | Up to 3840 × 1920 on the main scalers; picture in picture |
| All-in-one LED controllers | NovaStar VX4S, VX6s, VX600 | Scaler and sender in one box; 4 or 6 Gigabit outputs |
| LED sending controllers | NovaStar MCTRL4K, MCTRL600, MCTRL660, MCTRL300 | 2 to 16 Gigabit outputs; the MCTRL4K takes 4K60 and runs up to 7680 px wide |
| Fiber converter | NovaStar CVT4K-S | Carries a 4K controller's 16 outputs over 10G fiber for long runs |
| Live event switching and monitoring | ||
| 4K event switchers | Magnimage MIG-EC90, MIG-EC80 | 8 inputs at 4K60, up to 12 with expansion cards; canvas up to 8704 × 2176 (EC90) or 4352 × 2176 (EC80); genlock |
| Live production switcher | Blackmagic Design ATEM SDI Extreme ISO | 8 SDI inputs at 1080p60; records every input; streams |
| Compact live switchers | Blackmagic Design ATEM Mini Pro, Mini Pro ISO | 4 HDMI inputs at 1080p60; streams over Ethernet; records to USB-C |
| HDMI video mixer | TLL in-house | 4 HDMI inputs with a built-in touchscreen; USB streaming out |
| Multiviewers | Blackmagic Design MultiView 16, MultiView 4 | 16 or 4 SDI sources on one monitor |
| Conversion and distribution | ||
| SDI and HDMI converters | Blackmagic Design Micro Converter BiDirectional 12G, Mini Converter UpDownCross HD; Decimator MD-HX | HDMI to SDI and back up to 2160p60; up, down and cross conversion; scaling |
| Audio embedder | Blackmagic Design Teranex Mini Audio to SDI 12G | Adds 2 analog or 4 AES audio channels to the SDI feed |
| HDMI switchers and splitters | TLL in-house | 8K and 4K60 switchers with 2 to 5 inputs, a 3 × 2 matrix, splitters to 2, 4, 8 or 16 screens |
| HDMI extenders | TLL in-house | Over Cat cable to 100 or 200 ft; 1080p to 400 ft |
| Capture, streaming and recording | ||
| USB capture | AVerMedia and TLL in-house | HDMI or SDI at 1080p60; HDMI 2.1 at 4K60 |
| Streaming encoder | Blackmagic Design Web Presenter 4K | 12G-SDI in; streams up to 2160p60 |
| Recorders | Blackmagic Design HyperDeck Studio 4K Pro, Video Assist 7 in 12G HDR | Records up to 2160p60 to SD cards or a USB-C drive; 7 in monitor-recorder |
| Playback | ||
| Media servers | TLL in-house | Built by us; our top servers run two graphics cards each (NVIDIA RTX A4000 or RTX 5080) for up to eight outputs |
| Signage players | BrightSign XC4055, XC2055, XT1145, XD1035, LS445 | 8K players with 2 or 4 outputs; 4K and compact single-output players |
| Streaming and loop players | Apple TV 4K, NVIDIA Shield, TLL in-house | 4K output |
| Cameras | ||
| PTZ cameras | TLL in-house | SDI pan, tilt and zoom cameras with a joystick controller |
| Action cams and webcams | GoPro; TLL in-house webcams | Action cameras; 4K USB webcams |
The figures above are per unit. Higher resolutions and bigger canvases are possible with custom processing setups, so ask us about large walls.
"TLL in-house" is our own stock, listed without a maker name.
Video processing Interactive
What interactive builds do you run?
Each of these is a build we rent and run on show floors today.
Touchscreen LED sphere
A 360 degree LED sphere guests spin and explore by touch.
See it Touchscreen LED wall
A giant LED wall guests walk up and touch, run with content built around your brand.
See it AI selfie mosaic wall
Guests take a photo, pick a look, and their portrait joins a mosaic on the LED wall.
See it Immersive selfie wall
Fine-pitch curved LED for photo and selfie moments on the floor.
See it Our work
What have you built for exhibitors?
Four recent trade show builds. Each one links to the full case study, with the specs.
Whirlpool at KBIS
Five LED systems for four brands in one booth, from a P1.5 walk-through tunnel to curved P1.9 walls, plus audio, network and crew.
Read the case study
TCL at CES
Five hanging P2.6 LED walls over the entrance, about 121 ft end to end and playing as one picture, plus a live-production stage.
Read the case study
Taiwan Expo USA
A main-stage LED wall, stage lighting and a crew that ran the show for all three days.
Read the case study Where we work
Where do you work?
We keep gear and crew in Las Vegas and Orlando, and we take trade shows and events anywhere in the US.
Home base
Las Vegas
Our main warehouse. We work CES, NAB Show, SEMA Show, Black Hat USA and many more.
LED walls in Las Vegas East Coast
Orlando
Our East Coast warehouse is in Sanford, Florida. We work IAAPA Expo, I/ITSEC, PGA Show and more.
LED walls in Orlando On the road
Across the US
Our crew travels with the gear, to convention centers, hotels and venues around the country.
How we work
How do you work?
Our gear and our crew, from the quote to load-out. Or your team runs it with our setup docs.
Our own gear
We own what we rent you, not a sub-rental chain, so we know exactly what shows up.
Our own crew
Our techs build it, run it to the cue sheet and strike it. One crew chief from quote to load-out.
Setup docs for your crew
Prefer to install it yourself? Your crew works from our unpack, setup and repack docs.
Pre-staging
Pre-staging on the real wall before show day is available on request.
White-label on request
For exhibit houses and agencies, the gear goes in unbranded and your client sees your brand.
Clear quotes
A quote lists the screens, processing, crew and transport, and names what is not included, like drayage, rigging, electrical and venue fees.
Downloads
Can I get this as a PDF?
Yes. Pick the version that fits how you will use it. All five carry the same facts, version 2026-10-22.2.
- Portrait, dark Our full look with photos, for screens and email.
- Portrait, light The same pages on white paper. Best for printing.
- Landscape, dark Wide pages for a laptop, a TV or a meeting room screen.
- Landscape, light Wide pages on white paper, printer friendly.
- EZ Print Data and tables only. Easy to print, search and copy.
Ready?
Send us the show.
The dates, the city and what you need. Call, email or use the quote form.
Get your customized quote